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THE SEEDS OF DEATH :: DVD REVIEW
by Stephen Mills
Added Thursday,
April 24 2003
|
The
Ice Warriors first came to the attention of the general
public in 1967 in the story of the same name. So successful was
that story, that producer Peter Bryant approached the creatures
creator, Brain Hayles, for a second story entitled The Lords of
the Red Planet.
After some rushed editing on the story
by script editor Terrance Dicks, we can enjoy The Seeds
of Death for the first time in it’s unedited form
since the original broadcast in 1969, having been edited for the
1985 video release. |
»
THE PLOT ... |
| It is the late 21st
century, and mankind is totally dependent on T-Mat, a revolutionary
form of instant travel. The
Doctor, Jamie and Zoe arrive to find that the sinister Ice Warriors
plan to invade Earth, using T-Mat to transport deadly seed pods
full of a fungus that will absorb the planet’s oxygen. The
Doctor must race against time to defeat the Martian invaders - or
condemn the human race to suffocation.
. |
| »
THE MENU'S ... |
This disc is unique as it offers
us our first two-disc release and the menu’s on the two discs
are very different.
The first disc, which has the actual
episodes (complete with commentary and production subtitles), is
layed out like the previous DVD releases and as with all the black
and white releases, the menu has a monochrome feel. The second disc
looks like the extra menus on the previous discs. Both come with
clips from the story rolling in the background. |
| »
THE PICTURE / SOUND ... |
It’s
incredible just looking back at the original 1985 VHS release. The
quality of that is blurry, the sound is hissy (excuse the appalling
pun) and you struggle to strain your eyes so you can see some of
it clearly. With the new, restoration team enhanced version, not
only is the picture quality wonderful but the sound is beautifully
audible.
Like the last black and white release,
The Aztecs, The Seeds of Death has been given the VidFIRE treatment.
The restored episodes look superb, with episode 5 in particular.
I remember remarking in my review of The Aztecs about the sound
clean up being so good that you could hear the lovely touches of
John Lucarotti’s dialogue, but here, you can see little things
about set design which make the story seem so much better. Kudos
to the RT. |
| »
WHAT ABOUT THOSE EXTRA'S ONLY DVD CAN PROVIDE? |
| The
one problem that I have with this release is the extras. While there
are plenty to be able to justify a one-disc release, there really
doesn’t seem enough to justify a two-disc release. Mind you,
the decision was made late in the day, so very little could be done.
The highlight without a shadow of doubt is the commentary
track. It’s the first time that we’ve had different
commentators on different episodes. It’s set up with Wendy
Padbury, Frazer Hines and Michael Ferguson on the first two episodes.
For episode three, Terrance Dicks replaces Ferguson. Ferguson and
Dicks then team up for episode four, while all four of them contribute
to episode five and six. All of the participants are excellent with
some amusing anecdotes (particularly about the location footage
involving the sole Ice Warrior) and memories of making the program
making this one of the best Doctor Who commentary tracks. I’m
particularly fond of Terrance Dicks and Frazer Hines, who manage
to provide some funny moments, and it’s nice to hear Wendy
Padbury and Michael Ferguson’s thoughts on the series.
Other extras include:
- Censor Clips from The Web
of Fear and The Wheel in Space – For the younger fans, they’re
fascinating footage from a lost age, for older fans, they’ll
trigger a remembrance of some terrifying moments behind the sofa.
- The Last Dalek – Footage
from designer Tony Cornell's unique ten-minute record of the Ealing
effects filming for 'The Evil of the Daleks', complete with a
newly recorded voice-over by the story's effects designers, Peter
Day and Michealjohn Harris. It’s fascinating watching, and
the commentary track is lively. Having said that, don’t
think I’ll ever be able to watch Evil of the Daleks should
it ever resurface.
- TARDIS Cam – A nice
addition for those of us too lazy to find it on BBCi.
- Production Subtitles –
Fascinating text as ever from Richard Molesworth.
- Photo Gallery – Lovely
photos
- Ssssowing the Sssseedssss
– Interview footage with Alan Bennion and Sonny Caldinez,
plus make up artist Sylvia James. It’s nice to hear some
fond memories all round, despite a large amount of grumbling about
monster costumes. It’s also nice to hear Bernard Bresslaw
about his role as Varga in the prequel to this story.
There is also one easter egg on this disc. All I
shall say (apart from how to find it) is that it’s an absolute
delight. Highlight the text as usual [Easter Egg] >>
On the second disc, press left for a small
piece of video footage showing the participants recording the commentary
in episode six. << [End of Easter Egg]
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THE STORY ... |
| Poor
Michael Ferguson! When I reviewed The Ambassadors of Death
(also directed by Ferguson) a while ago, I mentioned that the script
was poor. This got me thinking that almost all the scripts that Ferguson
has had as a director are poor. Sadly, The Seeds of Death
doesn’t buck the trend, and indeed it is Ferguson’s direction
that keeps the story going.
It starts with a 1960s view of the future. A future
where everyone and everything is efficient (supposedly) and that
everyone goes to work in pyjamas that a old age pensioner would
wear. This is complete with the fact that there is hardly any ethnic
or gender diversity within the main cast, seemingly the future is
made up of middle class females. This clichéd view of the
future is complete with a smug, irritating computer that Douglas
Adams would make jokes about and the supposedly infallible T-Mat
system. It seems odd that something would be called infallible,
because thanks to sci-fi clichés, I doubt I would trust something
that’s sold on the basis of infallible.
In fact, Seeds does adorn to rather a lot of stereotypes
about science fiction. Not only is their a moonbase, several big
green monster threatening to take over Earth and lots of pretty
guys and girls running round in skin-tight costumes. Sadly, the
old adage of most of the acting in science fiction not at it’s
best is also true here. The worst is Harry Towb’s Osgood whose
ability is so awful that when his smirking earns him an instant
death from the Ice Warriors. Terry Scully’s Fewsham is the
one stand out amongst the adequate guest cast; he’s a wonderful
character, where his lack of bravery comes across superbly. It’s
his reactions to the Ice Warriors and the panic he goes through
that is far more terrifying than the sibilant Warriors.
Not that Scully’s Fewsham is the only good
thing, the Doctor, Jamie and Zoe are played well by Patrick Troughton,
Frazer Hines and Wendy Padbury and given a reasonable amount to
do in Brian Hayles’ script. It takes some time for them to
get going, as they only get involved after they agree to going into
the rocket, which happens during Part 2. Arguably the only things
that do break away from the stereotypes mentioned early are the
Ice Warriors. They are characterized superbly, mainly thanks to
some excellent performances from Alan Bennion and Sonny Caldinez.
It’s especially impressive when you think of the impact that
Bernard Bresslaw’s Varga in The Ice Warriors
in Season 5.
But the one area that really makes Seeds excellent
is Ferguson’s direction. You can see Ferguson as one of those
types of people who really does care about every shot and how it
should look and there are numerous examples throughout the story
that actually enhances scenes. First of all, the Ice Warriors are
portrayed in an excellent fashion (apart from the chase scene),
as Ferguson varies the camera angles to shoot them from up high
and down on the ground, giving us a true appreciation of the creatures
size, thus furthering our fear of them. Ferguson also copies a technique
employed by Derek Martinus who worked on The Ice Warriors, by not
only casting tall actors as the warriors, but for the human scientific
crew, small actors are employed giving the viewer an increased feeling
of claustrophobia.
The death scenes are also excellent. The warriors
dispatch of the humans is very effective and the screen folding
in on it’s self after the gun has been shot makes the audience
feel very disorientated and that, combined with Dudley Simpson’s
unsettling music mimics what the person must be feeling like when
they have been shot, again increasing the fear factor of the Ice
Warriors. The death scenes of the warriors are also worthy of praise.
Ferguson this time comes up with a different way of making the viewer
feel disorientated. This time, the screen goes into negative and
the angle is changed every second, thus giving us a feel of what
it must be like to be an Ice Warrior at that precise moment.
I have to say that before I watched this story again,
I rather liked it, but I’ve actually grown increasingly disfond
of it. The story is probably only deserving of it’s reputation
because of a lack of other decent Troughton stories available on
video, the superb acting of the regular’s, the Ice Warriors
and of course, Michael Ferguson.
|
| »
SUMMARY ... |
| Overall
Score : 8/10
Another good Doctor Who release. The fact that
we have The Seeds of Death available episodically
for the first time is a major contributor to make this a DVD release
that is unlikely to disappoint.
You can order The Seeds of
Death from Blackstar by clicking here.
You can also order the next Doctor
Who DVD release, The Talons of Weng-Chiang by clicking here. |
| »
TECHNICAL DETAILS ... |
Region |
Dual Encoded as Region
2 (UK/Europe) & 4 (Australia) |
Certificate |
PG |
Aspect
Ratio |
4:3 Full Screen (As Broadcast)
|
Audio |
English Language (Dolby Digital,
Mono) |
Subtitles |
English (Audio Commentary also
English Subtitled) |
First
Broadcast |
25th January - 1st March 1969 |
Director |
Michael Ferguson |
Producer |
Peter Bryant |
Writer |
Brian Hayles & Terrance Dicks
(Uncredited) |
Release
Date |
17th February 2003 |
Released
By |
BBC Worldwide |
Catalogue
Number |
BBCDVD1151 |
Reviewed
By |
Stephen Mills - ©2003 |
All screen grabs and images appearing
in the above review are Copyright (C) BBC Worldwide Ltd 2003.
. |
» All reviews are © to their
respective authors and may not be reproduced elsewhere without prior permission |